WORKS-IN-PROGRESS 2022

Applications will be accepted through Friday, November 19, 2021 for Red Eye’s 37th annual Works-in-Progress program.

Jules Bither and Claire King (Photo courtesy of the artists)

ABOUT RED EYE THEATER

Red Eye Theater is a working seven-artist collective. These seven artists share all the work involved in the running of a small not-for-profit organization. We think we work in, or build towards, a horizontal leadership structure, but we also know that the many layers of systemic oppression create unending complexity. We like consensus, but that could also look like agreeing to allow just one of us to make all the decisions around a given project. Most of all, we want our beloved Minnesota arts ecology to THRIVE and we want to be kind, nimble, and thoughtful.

Red Eye has, in its history, used the following language to describe the kind of performance work we support: experimental, risk-taking, contemporary, new, pioneering, boundary-breaking, collaborative, interdisciplinary. We have been unpacking the colonial, modernist, exclusionary implications of those words, and have not yet arrived at a term that fits. Perhaps we will never arrive. We understand that, through relationship with Red Eye, the Works-in-Progress artists will intersect with this history and conversation.

Our website which is another iteration of us: www.redeyetheater.org.

OVERVIEW OF WORKS-IN-PROGRESS

Works-in-Progress provides artistic, production, and administrative developmental support over a six-month period for a cohort of 4-5 selected artists/artistic collaborations. A hallmark of the program is a series of critical response feedback sessions facilitated by Red Eye Artistic Directors. Artists selected are supported with rehearsal space, providing the opportunity to explore and experiment with conceptual and staging ideas over an extended timeframe. Works-in-Progress is linked to Red Eye’s Isolated Acts program, with both functioning as key components of the annual New Works 4 Weeks festival.  

Works-in-Progress was created over 35 years ago as a way to support experimental performance makers in dialogue with each other. It aims to create a community of disparate creators linked by a shared desire to investigate their process in critical discourse. The program places emphasis on both the development of your own work and supporting the work of other artists in the cohort through critical feedback and peer exchange.

The emphasis of Works-in-Progress is on the process of developing an original piece for performance, primarily in terms of its conceptual development and staging. The series is designed to serve emerging artists who are exploring new directions in pieces that would benefit from an extensive reflective process and are best suited for a shared evening in a professional performance space.

COVID POLICY

Red Eye Theater requires that all WIP artists and collaborators who will be involved in in-person events show proof of vaccination upon acceptance into the program. If you have questions or concerns about this policy please contact staff@redeyetheater.org. Red Eye is committed to staying responsive to health safety as the pandemic continues to unfold and will make adjustments to the program as needed, which could include moving some meetings/feedback sessions online.

Megan Burns and Ricardo Beaird (Photo courtesy of the artists)

Megan Burns and Ricardo Beaird (Photo courtesy of the artists)

 
 
Annika Hansen, Nakita Kirchner, Anusha Ramaswami, Nicole Stumpf, and Abigail Whitmore (Photo: Isabel Fajardo)

Annika Hansen, Nakita Kirchner, Anusha Ramaswami, Nicole Stumpf, and Abigail Whitmore (Photo: Isabel Fajardo)

WORKS-IN-PROGRESS 2022 APPLICATION DATES

 
  • October 26, 2021: 7-8:30 pm CT: Program Information Session, on Zoom

  • November 6, 2021: 10-11:30 am CT: Application Information Session, on Zoom | Recording

  • November 19, 2021: Applications due (11:59pm CT)

  • December 20, 2021: Email notification of applicant selection

WORKS-IN-PROGRESS 2022 PROGRAM DATES

 

Selected artists MUST be available in person during dates/date ranges below (specific dates/times TBD):

  • January-May 2022: Program developmental period 

  • Early January 2022: Informational meeting/show-and-tell for participants

  • Late January: Feedback sessions #1 

  • Mid February: Feedback sessions #2

  • Late March: Feedback sessions #3

  • Early May: Feedback sessions #4 

  • May 22-25, 2022: Tech; May 25 full dress rehearsal

  • May 26-28, 2022: Works-in-Progress 2022 public in-person performances*

  • June 2022: WIP debriefing, final meeting

*Contingent upon pandemic status, public health recommendations or orders, etc.

PROGRAM DETAILS

Artists working in all performance disciplines are welcome to apply. Interdisciplinary, multimedia, and collaborative artists are encouraged. Works-in-Progress seeks out applicants from a full range of aesthetics, cultures, and approaches that represent contemporary performance in the world today, and encourages proposals from artists of color, Indigenous artists, queer artists, artists with disabilities, and other groups that have been historically underrepresented in the performing arts.

Four to five projects are selected each year by a panel of Red Eye co-Artistic Directors. Applicants will be notified by phone or email by December 17, 2022 at the latest about the panel’s decision. 

Two digital application information sessions will be offered (see dates and times above), where interested artists interested in applying to the program can learn more in real time, ask questions, and get feedback on draft proposals. 

Projects in which the primary artists are current students are not eligible for this program.

Each selected project will present A MINIMUM OF 10 AND A MAXIMUM OF 15 MINUTES. Longer works may be accepted into the program, in which case an excerpt will be presented in the final show.

Works-in-Progress 2022 will be presented for three public performances Thursday-Saturday, May 26-28, 2022. Performances will take place at Red Eye Theater, 2213 Snelling Ave, Minneapolis, MN 55404. These performances are not open to critical review.

A direct stipend of $775 is provided for each project to develop the work. 

Participants have access to Red Eye’s technical resources, including rehearsal space and limited lighting and sound capabilities throughout the rehearsal process. Access will be dependent on company performances and rental shows happening in the space during the course of the program.

Red Eye provides a lighting designer and production manager, for the public performances, promotion of the series, video documentation, and an opening weekend reception. Participants are encouraged to give their works production values (minimal as they may be), and move beyond an open rehearsal or a staged reading. Participants are responsible for all elements of production, including casting, design (aside from lighting design), and direction.

Participation is required in all group feedback sessions. Selected participants must be able to attend a mandatory informational meeting in early January TBD. Feedback session dates will be scheduled based on the availability of the selected cohort, based on the schedule above.

SELECTION CRITERIA

Proposals will be evaluated based on:

  • the project’s connection to Red Eye’s core tenets (experimentation, collaboration, and critical discourse)

  • the artist’s potential to contribute to peer exchange

  • the program’s potential to make an impact on the artist at this point in their artistic development

  • the artist’s thoughtfulness around artistic process

  • the vision and/or initiative demonstrated in the work sample(s)

Malick Ceesay (Photo courtesy the artist)

Malick Ceesay (Photo courtesy the artist)

 
 
Addison Sharpe (Photo courtesy the artist)

Addison Sharpe (Photo courtesy the artist)

APPLICATION

CHECKLIST

1. Basic information: Your name, pronouns, project title (if applicable), email address, mailing address, phone number

2. Sharing your project, including: 

1) Which questions are you raising in your work and this project? (1-2 paragraphs)

2) Describe the practical and/or conceptual parameters of your process and how these might manifest in a work-in-progress performance. What do you envision the work to look, sound, or feel like? Do you imagine others (performers, designers, advisors, etc) being involved in the work? (1-3 paragraphs)

3) Red Eye’s core values are experimentation, collaboration, and critical discourse. Please describe how your project relates to one of these values. (1-2 paragraph)

4) Why are you motivated to participate in an intensive feedback process with a cohort? What do you hope to gain from ongoing exchange with peer artists?  (1-2 paragraphs)

3. One-page resume or bio: Please submit either a resume OR bio of the primary artist submitting this proposal. If the primary artist is a collaboration, please include a resume OR bio for each member of the collaboration (max: 1 page per artist). 

4. List of Proposed Production/Artistic Personnel: Any lead artists, performers, directors, designers, etc. you are either planning or hope to involve in your project. You may also include a short statement detailing your relationship to any of these potential collaborators.

5. (optional) Production history of your proposed project, if you’ve had previous publicly shared iterations. For most applicants this is not applicable.

6. Work samples, including: titles, length of excerpts, your role in each, a brief description of how the work sample relates to your proposed project, and links to the work samples.

WORK SAMPLE(S)

For your work sample you can submit up to 5 “minutes” of material. Material will be weighted as follows:

> video sample, 1 minute = 1 minute         > audio sample, 1 minute = 1 minute

> visuals, 1 image = 30 seconds                  > performance text, 1 page = 1 minute

(For example: you could submit 5 minutes of video or 2 minutes of video, 2 pages of text, and 2 images, etc. The Google form includes spaces for up to 10 links.) 

Please include the link to your work sample on Vimeo, YouTube, Soundcloud, Dropbox, Google Drive, your artist website, etc. (i.e., no file uploads.) Include a password where applicable. Please double check the links and permissions of your digital files as the panel may not have the capacity to follow up with you if a link or password does not work.

SUBMISSION

Please apply through the Google form on or before Friday, November 19, 2021. To request application materials in an alternate format, please contact staff@redeyetheater.org

ACCESSIBILITY

Red Eye is committed to cultivating and promoting an organizational culture of equity, accessibility, and inclusion. We will be happy to provide accommodations to ensure individuals with disabilities are able to be full participants in Works-in-Progress. To request accommodations for an info session or application materials in an alternate format, please contact staff@redeyetheater.org or 612.870.7531.

CONTACT

Please contact staff@redeyetheater.org with any questions about the program or application process.